![]() That makes the movie’s opening scene, in which the infant tree dances across the screen for the length of almost an entire pop song, a litmus test for how you’ll respond to next two hours of AM radio music cues, dazzling visual effects sequences, family drama subplots, and comedy bits that go the distance and then some. ![]() How you feel about Baby Groot is a pretty good indicator for how you’ll feel about the rest of Guardians of the Galaxy Vol. But which one is the best? That’s what we’re here today to discuss. In between the thuddingly obvious music cues of Suicide Squad, and the Sturm und Drang scores of most other comic-book flicks, the Guardians movies have carved out a very specific musical niche, employing a number of fondly (but not over-) remembered radio classics from the 1970s. ![]() The Guardians of the Galaxy films don’t look like most other superhero films, and they don’t sound like them, either.
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